reel

this career has afforded me an incredible opportunity to trot the globe, shooting projects with some supremely talented filmmakers and craftspeople.

talent doesn't stop on location though. more than not, i've been fortunate to hand the negative or drive off to some of the best post folks in the business.

across the board, credit where it's due...

TILE // COAT

Director - Steve Ayson / MJZ

Cinematography - Hoyte Van Hoytema

Production Design - Jason Kisvarday

Editor - Rich Orrick / WORK

Color Grade - Tom Poole

Music - WALKER

Mix - Dan Flosdorf

Montefiore // Live + Let Live

Director - Derek Cianfrance / Radical

Line Producer - Clint Caluory

Editor - Tom Lindsay // Cosmo Street + Trim

Post Producer - Anne Lai

Title Design/Animation - Afternoon, Inc

Color grade - Sofie Borup // CO3

Music - Ludovico Einaudi

Adidas Originals // Superstar

Director - Daniel Wolfe

Cinematography - Harry Wheeler

Production Design - Andrew Clarke

Editor - Paul Watts

Service Partner - Monkey Films

Adidas // Gazelle

Director - Will Dohrn

Cinematography - Harry Wheeler

Production Designer - Andrew Clarke

Stylist - Bee Diamondhead + Marci Rodgers

Service Partner - Monkey Films

Kettle One // Born to Cocktail

Director - Daniel Wolfe

Cinematography - André Chemetoff

Editor - Tom Lindsay

Music - CAN "MOONSHAKE"

Accenture // IX

Director - Stefon Bristol / Prettybird

Line Producer - James Graves

SFX Supervisor - Alvin Cruz // MPC

Editor - Neil Smith // WORK

Color Grade - Ricky Gausis

Music - Wet Leg

Sennheiser "Athlete" DC

director - Sam Pilling/Pulse

DP - Ben Fordesman

production designer - Marco Puig

line producer - Chris Harrison

editor - Alex Pirrone/Friendshop

color grade - Alex Bickel/Color Collective

Sennheiser "Model" DC

director - Sam Pilling/Pulse

Investment Company

animation - PSYOP

music - Bonnie Prince Billy

music supervisor - Snake Accident

Caveman

director - “Matthijs van Heijningen/MJZ

editor - Jono Griffith/Work

vfx - MPC/Alvin Cruz

VO - Matt Pike from fucking High On Fire and SLEEP

Milk "Morning Run"

director - Peter Berg/Ponyshow

production designer - Bo Welch

editor - Adam Pertofsky/Rock Paper Scissors

color grade - Tom Poole/CO3

vfx - The Mill

music - Beta Petrol

HYATT “World of Understanding”

Director - Salamon Lighthelm/Stink

DP - Ben Loeb

Colorist - Alex Bickel/Color Collective

Degree "Wolves"

director(s) - Perlorian Brothers/Furlined

line producer - Jay Shapiro

production designer - Robbie Freed

editor - Tom Scherma/Cosmo Street

color grade - Tom Poole/CO3

Degree "Hamster Wheel"

director - Aaron Stoller/Biscuit

editor - Chuck Willis

vfx - Mass Market

color grade - Tom Poole/CO3

iPhone/US Cellular "Mountain Bike"

director - Chris Sargent/Anonymous Content

editor - Mike Colao

color grade - Alex Bickel/Color Collective

ICBINB "Whale"

director - CANADA/Director's Bureau

editor - Tom Scherma/Cosmo Street

vfx - Method, supervisor Alvin Cruz

color grade - Tom Poole/CO3

Stella Artois "House"

MTV "Francois"

director - Cat Solen/Partizan

resume

There's only one job. Never stop pushing to make the work better.

2023 - Executive Producer Lovesong

2021 - 2023 Executive Producer FREELANCE

ALTO

Droga5

2015 - 20 VP, Executive Producer MULLEN LOWE

Relocated to Boston to make the work better on a second tier cell carrier. And did for a while when they had a partnership with Apple. Creatively moved the needle working with directors like Terri Timely/Park Pictures and Chris Sargent/Anonymous.

Stepping away from the brand, I creatively produced large brand work across the Mullen portfolio. Helming projects for Hyatt, Sennheiser, Rexona and Whole Foods amongst others. Added to my already substantive overseas production experience with jobs in Marrakech, Bangkok and Kiev. Several in Spain with CANADA and re-created the history of forward human movement in Johannesburg with MJZ. Covered the Carpenters with TV on the Radio, Bonnie Prince Billy, Ariel Pink, Alex Cameron, Shakey Graves and more. Shot Fabio out of a whale's blowhole.

Worked with directors like Sam Pilling/PULSE, CANADA/Directors’ Bureau, Salamon Lighthelm/Stink and Matthijs Van Heijningen/MJZ.

2013 - 15 SVP, Executive Producer Lowe Campbell-Ewald

Brought on to head production for Lowe CE’s NYC office. Clients include Milk, Unilever, Sun and Unicef.

2009 - 2013 VP, Senior Producer Deutsch Inc., New York

Handled MILK’s first and only Super Bowl spot with Dwayne “The Rock” Johnson. Intergalactic invasion, lion on a car full of seniors, cat in a tree. With director Peter Berg and The Mill, we cooked up a labyrinth of chaos for Mr. Johnson to navigate all for a jug of cow juice. Can you smell it?

Responsible for overseeing the current “No Rules. Just Right.” rebranding campaign for Outback. Together with Smuggler and Method, we created a production formula that allowed shooting multiple spots, several times a year in Prague and NYC. The formula and campaign have been a major success for the brand. Australia in the Czech republic? Yup.

With Microsoft, I managed producers handling animated and hybrid CG/practical web campaigns. The biggest coup during this stint was licensing a track from Death Grips for a dry Microsoft VS competitors pre-roll spot.

While at Deutsch, some of the directors I had the opportunity to work with were: Aaron Stoller/Biscuit, Geordie Stephens/Tool of NA, Klaus Obermeyer/AERO Films, The Perlorian Brothers/Furlined, Baker Smith/Harvest, Baby/Rebolucion.

2003 - 2009 Producer/Senior Producer Lowe, New York

While at Lowe NY I worked on and then ultimately ran a wide range of accounts. I cut my teeth on car shoots for GMC and SAAB, stylized tabletop and lifestyle shoots for Electrolux and international shoots for Ricoh. I also produced PSAs for MTV and the Ad Council. And that felt good.

Ultimately I handled the large global campaigns with overseas production for the Degree account and a major international product launch for Sharp. I oversaw the Snuggle account which included re-designing and re-introducing a new puppet version of the bear and managing the adaptation of global work for the US market through animation and VFX.

While at Lowe, some directors I had the opportunity to work with were: Daniel Kleinman/Rattling Stick, Gerard de Thame/HSI, Brad Anderson/Independent Media (directed features “The Machinist” and “Transsiberian”), Daniel Benmayor/Anonymous Content.

EDUCATION Boston University Boston, MA

BA in film production and studies, minor in English Literature.

Oh yes... Jersey is our dog. So no disrespect to the third state in the Union or to the Boss, but the pride ain't for you. It's all for that dog.

contact

646.436.3017

jerseypride@gmail.com

directing

On rare occasion, I’ve been able to sweet talk friends into letting me make stuff for them and other friends into helping me make that stuff. Those are good occasions.